3.26.2015

The Agent/Author Relationship: The Push Me - Pull You of Publishing

Ah, the ubiquitous dance between querying an agent and the moment you start picking out curtains together. It's a frightening time, somewhere between throwing up a little in your mouth and finally being able to eat a messy sandwich in front of them, and as the relationship grows you're able to settle down into a sweatpants familiarity -- if you're lucky. My agent, Dawn Frederick of Red Sofa Literary, and I came out of the gate in a mad rush of hell yes. I had done my homework, researched agents, sent out a couple of queries custom-fit for the agents I'd chosen and waited. It didn't take long -- Dawn responded to my email within ten minutes. She wanted to chat -- get to know each other -- see if we spoke each other's unspoken language. I'm a leaper and follow my instincts, I knew she was a good egg and by the end of our chat I was all in.

In the five years that we've been business partners and friends, we've sold four books, taught agent/author relationship workshops together, she's dropped my name so hard on editors that they bruise, and I've learned the value of trusting someone else's opinions in my career decisions. So, what does the relationship look like from the inside?

The role of the agent
Far from being the aloof and rather untouchable side of the writing team, the agent is the writer's best ally in publishing. It's their business to know the business: the trends, when editors switch houses (happens frequently) and where they go so as to maintain ties, negotiate contracts and follow up with publishers, and my favorite part -- thinking long term about a writer's career. Agents care about writers, they care that what we write makes a difference and that they're part of the change even if they don't get as much of the high-fives and cake as they deserve. They're passionate about publishing and keep us going even when we want to hide under our desks and eat crackers instead of pushing out another chapter or book proposal.

The most important role of an agent is to be honest, even when you don't like that they're not on board with your most recent idea. That's when you trust their experience and their role within the publishing community and just let it go or chat about self-publishing options.

The role of the writer
I would love to think that all writers are cuddly and creative. That sunshine and prose falls from our fingertips instead of the reality of staring at a wall so long that you can see Patrick Swayze in the drywall cracks. Our role is much less defined, if just as hard as the agent's. While typing out the next great hit, we are now the Primary Promotion Specialist for our work -- we are our own marketing team and idea generator. We make the rules about when to wear pants. But within our semi-pants wearing, Swayze-daydreaming lives, we remember that we're part of a team and what our role in the agent/author relationship requires.

As writers who would like to succeed and not just become a blip on the Amazon "whatever happened to" screen, we work with the agent to not only write but to engage readers via whatever method we're comfortable with. Don't enjoy Facebook or Twitter? Try connecting with readers at conventions, readings at local schools and libraries, start a blog and target readers that dig what you dig, or fire up your old Instagram or Pinterest account and find your tribe. As writers, we adapt or get buried under the rubble. Our agents are there to brush off the dust and make you presentable before you roll out another idea.

Will there be trouble in paradise for some agent/author teams? Of course. Priorities change, career vision changes, lives change -- so how do you handle it when it's time for you to leave (or be left)? That's the call the blogs don't go over as often. Sure, it's uncomfortable but staying in a relationship that isn't working or is stagnant because no one wants to be the bad guy isn't just detrimental to your anxiety levels, it could be bad for your career. While most contracts ask for a written statement to end the relationship (always do this), a phone call first is always preferred. Even if you're not on the best of terms, your grandmother would be proud of you.

As the publishing landscape evolves, the roles between agent and author are also changing. Agents work harder to keep their authors relevant while they search out new opportunities. Authors are asked to do more than ever before to keep their work before readers while still being creative and emerging as businesspeople. It's the balance between the two that keeps the relationship growing. By committing to a healthy partnership, your career blooms -- which translates into extra non-pants-wearing days. It's a win-win.


This article is from my conference workshop. If you'd like Dawn and I to share our experiences at your local or regional conference, please email me. 

-- This article originally appeared at 5writers.com 

1.02.2015

Peaches in a can

I've always been more of a get-to-know-you writer with my short fiction. I don't spend too much time on a character's back story or what they like for breakfast, I like to throw them into an uncomfortable situation and see how they fight their way out of it. Most of my stories are humor-based, even if it is technically horror, so my characters all have smart mouths or are angling for the best way to phrase a joke. But now I'm faced with new challenges in 2015: a screenplay adaptation of a very famous novel and pitching a children's television series based on one of my books that didn't sell (but will be fantastic for this medium), and I'm in a pickle. There's a story I have to write first because one silly woman won't get out of my head. 

Meet Peach. She was a contestant years ago on the Amazing Race, and she's scared. Of everything. I don't think I've ever seen a woman so out of her element, so vocal in her limited abilities to see the world unfolding around her and shy away from it, and who made me a little proud of her to get as far as she did before she and her sister came in last and were sent home. What is it like to be so afraid? Being scared isn't in my nature. I'm cautious, sure. I'm careful for my children and don't do stupid things -- but my motto has always been "how many times can you do this in your life?" and then I forge ahead. Peach represents something I'm not familiar with: a woman who admits she has limits. By the time they were sent home, she had been scared on a bus, a plane, multiple countries, food, and then scared us by buying an uuuugly tank top during a shopping trip. Now the question is, how am I going to scare Peach? 

I'm sure I'll think of something.  ;)

Wish me luck with the screenplays!

12.24.2014

11 Archaic Words to Liven Up Your Holidays


The holidays are coming and that means trying to one up your family members over vacation. In my family, it's a lexiconian dance off -- the loser(s) buy the wine. After the "THIS -- IS -- SPARTA!" catcalls and obligatory chest beating, we try to slip fancy pants words into conversation. This year I'm expanding my knowledge of the more godwotterish sort and I'm bringing you along for the ride.
Borborygmus: The sound of intestinal gas. Don't look at me like that. This is a fantastic word, but one I'll leave until after the meal and no, I won't be blaming the dog. I'm looking at you, Uncle Jack.
Hornswoggle: To dupe or hoax. I'm a terrible card player so I may have to whip this word out while playing another round of Hearts in order to throw attention off of me to win. Why these people keep asking me to play is beyond me.
Legerdemain: Slight of hand. This goes easily with hornswoggle since I cheat like crazy, so I should get extra points if they find out what I'm doing. If that happens, misplaced rage and a few choice words always allow me to tip over the playing tableHousewives-style and confuse my siblings until I can sneak out.
Walla-walla: The rush of sound coming from many people talking at once and making them indecipherable. Too easy. I have five children and four siblings. I have no idea what anyone has said since 2008.
Bloviate: To brag. There's always one sister (or brother), isn't there?
Godwottery: Balderdash or nonsense. I suspect there's always a little bit of godwottery while my sister is bloviating. Ew. Sounds like a rash. She should have that checked.
Flizzen: To belly laugh. I honestly thought this was one of Santa's reindeers.
Misconfrumple: To rumple. I may save this word for my brother-in-law's Christmas morning appearance, but what else could I say after he passes out under the tree every year?
Smouster: To eat secretly. That wasn't Santa hitting the cookies at midnight. That trail of crumbs led straight to my husband.
Honeyfuggle: To trick someone. What's a little honeyfuggle between friends, am I right, Santa?
Gubbins: To tidy up. Christmas morning is a flurry of gubbins before Grandma gets her groove on to watch Ink Master with the grandchildren. What can I say? Bonding.

This article was first posted on the Huffington Post. Check out the rest of my essays!